2024 Emmy Nominees Supported by the Panavision Group
![2024 Emmy nominees supported by the Panavision group](https://www.panavision.com/images/default-source/articles/pv_emmys_website_banner_v1b_1000.jpg?sfvrsn=c7ce7afe_1)
The Panavision group is proud to have supported many of the projects that have been recognized with a 2024 Emmy nomination, including:
![Baby Reindeer, Emmy nominee supported by Panalux](https://www.panavision.com/images/default-source/articles/2024_emmys-awards_in-feed_pv-babyreindeer-1000x642-884331d.jpg?sfvrsn=61b933be_1)
Baby Reindeer
Outstanding Limited or Anthology Series
Cinematography by Krzysztof Trojnar & Annika Summerson
Gaffers: Alex Edyvean & Bernie Rostoski
Serviced by Panalux London
![The Bear, Emmy nominee supported by Panavision](https://www.panavision.com/images/default-source/articles/2024_emmys-awards_in-feed_pv-thebear-1000x642-884331d.jpg?sfvrsn=9fbfed82_1)
The Bear Season 2
Outstanding Cinematography For A Single-Camera Series (Half Hour), “Forks,” cinematography by Andrew Wehde
Outstanding Comedy Series
Serviced by Panavision Chicago
![Bob Hearts Abishola, Emmy nominee supported by Panavision](https://www.panavision.com/images/default-source/articles/2024_emmys-awards_in-feed_pv-bobheartsabishola-1000x642-884331d.jpg?sfvrsn=13db2051_1)
Bob Hearts Abishola Season 5
Outstanding Cinematography for a Multi-Camera Series, “These Giants Are Flexible,” cinematography by Patti Lee, ASC
Serviced by Panavision Woodland Hills
![The Conners, Emmy nominee supported by Panavision](https://www.panavision.com/images/default-source/articles/2024_emmys-awards_in-feed_pv-theconners-1000x642-884331d.jpg?sfvrsn=b100d076_1)
The Conners Season 6
Outstanding Cinematography for a Multi-Camera Series, “Fire and Vice,” cinematography by Donald A. Morgan, ASC
Serviced by Panavision Woodland Hills
![The Crown, Emmy nominee supported by Panavision and Panalux](https://www.panavision.com/images/default-source/articles/2024_emmys-awards_in-feed_pv-thecrown-1000x642-884331d.jpg?sfvrsn=e04ca284_1)
The Crown Season 6
Outstanding Cinematography for a Series (One Hour), “Ritz,” cinematography by Sophia Olsson
Outstanding Cinematography for a Series (One Hour), “Sleep, Dearie Sleep,” cinematography by Adriano Goldman, ASC, BSC, ABC
Outstanding Drama Series
Gaffers: Andy Lowe & Chris Stones
Serviced by Panavision London & Panalux London
![Frasier, Emmy nominee supported by Panavision](https://www.panavision.com/images/default-source/articles/2024_emmys-awards_in-feed_pv-frasier-1000x642-884331d.jpg?sfvrsn=5fa1756e_1)
Frasier Season 1
Outstanding Cinematography for a Multi-Camera Series, “Reindeer Games,” cinematography by Gary Baum ASC
Serviced by Panavision Woodland Hills
![The Gilded Age, Emmy nominee supported by Panavision](https://www.panavision.com/images/default-source/articles/2024_emmys-awards_in-feed_pv-thegildedage-1000x642-884331d.jpg?sfvrsn=cd3a8577_1)
The Gilded Age Season 2
Outstanding Drama Series
Cinematography by Manuel Billeter, SCS & Lula Carvalho, ASC, ABC
Serviced by Panavision New York
![Griselda, Emmy nominee supported by Panavision and Light Iron](https://www.panavision.com/images/default-source/articles/2024_emmys-awards_in-feed_pv-griselda-1000x642-884331d.jpg?sfvrsn=8165afb9_1)
Griselda
Outstanding Cinematography for a Limited or Anthology Series or Movie, “Middle Management,” cinematography by Armando Salas, ASC
Serviced by Panavision Woodland Hills & Light Iron Los Angeles, final color by supervising colorist Ian Vertovec and senior colorist Ethan Schwartz
![Hacks, Emmy nominee supported by Panavision](https://www.panavision.com/images/default-source/articles/2024_emmys-awards_in-feed_pv-hacks-1000x642-884331d.jpg?sfvrsn=6696b1b1_1)
Hacks Season 3
Outstanding Cinematography for A Single-Camera Series (Half Hour), “Just for Laughs,” cinematography by Adam Bricker, ASC
Outstanding Comedy Series
Serviced by Panavision Hollywood
![How I Met Your Father, Emmy nominee supported by Panavision](https://www.panavision.com/images/default-source/articles/2024_emmys-awards_in-feed_pv-himyf-1000x642-884331d.jpg?sfvrsn=691a02f0_1)
How I Met Your Father Season 2
Outstanding Cinematography for a Multi-Camera Series, “Okay Fine, It’s a Hurricane,” cinematography by Gary Baum, ASC
Serviced by Panavision Woodland Hills
![Lessons in Chemistry, Emmy nominee supported by Light Iron](https://www.panavision.com/images/default-source/articles/2024_emmys-awards_in-feed_pv-lessonsinchemistry-1000x642-884331d.jpg?sfvrsn=569a85fd_1)
Lessons in Chemistry
Outstanding Cinematography for a Limited or Anthology Series or Movie, “Little Miss Hastings,” cinematography by Zachary Galler
Outstanding Picture Editing for a Comedy Series
Serviced by Light Iron Los Angeles, final color by supervising colorist Ian Vertovec
![Night Court, Emmy nominee supported by Panavision](https://www.panavision.com/images/default-source/articles/2024_emmys-awards_in-feed_pv-nightcourt-1000x642-884331d.jpg?sfvrsn=dd6f899d_1)
Night Court Season 2
Outstanding Cinematography for a Multi-Camera Series, “A Night Court Before Christmas,” cinematography by Wayne Kennan, ASC
Serviced by Panavision Woodland Hills
![Palm Royale, Emmy nominee supported by Panavision](https://www.panavision.com/images/default-source/articles/2024_emmys-awards_in-feed_pv-palmroyale-1000x642-884331d.jpg?sfvrsn=71da71b7_1)
Palm Royale
Outstanding Comedy Series
Cinematography by David Lanzenberg and Todd McMullen
Serviced by Panavision Woodland Hills
Physical Season 3
Outstanding Cinematography for a Single-Camera Series (half hour), “Like a Rocket,” cinematography by Jimmy Lindsey, ASC
Serviced by Panavision Woodland Hills
![Red, White & Royal Blue, Emmy nominee supported by Panavision and Panalux](https://www.panavision.com/images/default-source/articles/2024_emmys-awards_in-feed_pv-rwrb-1000x642-884331d.jpg?sfvrsn=e2833c68_1)
Red, White & Royal Blue
Outstanding Television Movie
Cinematography by Stephen Goldblatt, ASC, BSC
Gaffer: Martin Cox
Serviced by Panavision London & Panalux London
![Reservation Dogs, Emmy nominee supported by Panavision and Light Iron](https://www.panavision.com/images/default-source/articles/2024_emmys-awards_in-feed_pv-reservationdogs-1000x642-884331d.jpg?sfvrsn=e14f2c95_1)
Reservation Dogs Season 3
Outstanding Cinematography for a Single-Camera Series (half hour), “Deer Lady,” cinematography by Mark Schwartzbard
Outstanding Comedy Series
Outstanding Picture Editing for a Comedy Series
Serviced by Panavision Dallas & Light Iron Los Angeles, final color by supervising colorist Corinne Bogdanowicz
![Ripley, Emmy nominee supported by Panavision](https://www.panavision.com/images/default-source/articles/2024_emmys-awards_in-feed_pv-ripley-1000x642-884331d.jpg?sfvrsn=e00de462_1)
Ripley
Outstanding Cinematography for a Limited or Anthology Series or Movie, “V Lucio,” cinematography by Robert Elswit, ASC
Outstanding Limited or Anthology Series
Serviced by Panavision Woodland Hills
![Scoop, Emmy nominee supported by Panavision](https://www.panavision.com/images/default-source/articles/2024_emmys-awards_in-feed_pv-scoop-1000x642-884331d.jpg?sfvrsn=a34c5dc_1)
Scoop
Outstanding Television Movie, cinematography by Nanu Segal, BSC
Serviced by Panavision London
![Slow Horses, Emmy nominee supported by Panavision and Panalux](https://www.panavision.com/images/default-source/articles/2024_emmys-awards_in-feed_pv-slowhorses-1000x642-884331d.jpg?sfvrsn=3fd90ce9_1)
Slow Horses Season 3
Outstanding Drama Series
Cinematography by Danny Cohen, BSC & David Chizallet
Gaffer: Paul McGeachan
Serviced by Panavision London & Panalux Manchester
![Sugar, Emmy nominee supported by Panavision](https://www.panavision.com/images/default-source/articles/2024_emmys-awards_in-feed_pv-sugar-1000x642-884331d.jpg?sfvrsn=9989e5f2_1)
Sugar
Outstanding Cinematography for a single-Camera series (half hour), “Starry Eyed,” cinematography by Richard Rutkowski, ASC
Serviced by Panavision Woodland Hills
![True Detective: Night Country, Emmy nominee supported by Panavision](https://www.panavision.com/images/default-source/articles/2024_emmys-awards_in-feed_pv-truedetectivenightcountry-1000x642-884331d.jpg?sfvrsn=76230f07_1)
True Detective: Night Country
Outstanding Cinematography for a Limited or Anthology Series or Movie, “Part 6,” cinematography by Florian Hoffmeister, BSC
Outstanding Limited or Anthology Series
Serviced by Panavision London
![Unfrosted, Emmy nominee supported by Panavision](https://www.panavision.com/images/default-source/articles/2024_emmys-awards_in-feed_pv-unfrosted-1000x642-884331d.jpg?sfvrsn=cd8f1d29_1)
Unfrosted
Outstanding Television Movie
Cinematography by Bill Pope
Serviced by Panavision Woodland Hill
![Emmy nominee Chuck Ozeas on the set of The Upshaws](https://www.panavision.com/images/default-source/articles/2024_emmys-awards_in-feed_pv-theupshaws.jpg?sfvrsn=12cd42ac_1)
The Upshaws Season 3
Outstanding Cinematography for a Multi-Camera Series (Half Hour), "Forbidden Fruit," cinematography by Chuck Ozeas
Serviced by Panavision Woodland Hills
![What We Do in the Shadows, Emmy nominee supported by Light Iron](https://www.panavision.com/images/default-source/articles/2024_emmys-awards_in-feed_pv-whatwedointheshadows-1000x642-884331d.jpg?sfvrsn=4edbb46a_1)
What We Do in the Shadows Season 5
Outstanding Comedy Series
Outstanding Picture Editing for a Comedy Series
Cinematography by DJ Stipsen, NZCS
Serviced by Light Iron Los Angeles, final color by senior colorist Ethan Schwartz
![Winning Time, Emmy nominee supported by Panavision](https://www.panavision.com/images/default-source/articles/2024_emmys-awards_in-feed_pv-winningtime-1000x642-884331d.jpg?sfvrsn=c33b36da_1)
Winning Time Season 2
Outstanding Cinematography for a Series (One Hour), “Beat L.A.,” cinematography by Todd Banhazl, ASC
Serviced by Panavision Woodland Hills