From Prep to Post to SXSW
The SXSW Film Festival is in full swing and we are proud to celebrate writer-director and TFI alum Karen Maine for the world premiere of YES, GOD, YES.
Sasaki, Cioni and Panavision Large Format
Re-purposed from the February 2019 issue of Film and Digital Times
In anticipation of Panavision’s popular Lens Bar at the BSC Expo in London, Dan Sasaki, VP of Optical Engineering at Panavision, and Michael Cioni, Senior VP of Innovation at Panavision and Light Iron, had a few things to say.
Creating the Look of Late Night
A legendary talk show host employs a young scriptwriter and sparks fly in the new indie feature Late Night, premiering at the Sundance Film Festival. Written by and starring Mindy Kaling, and co-starring Emma Thompson, the set-up depicts them as poles apart in generation and culture, adding further twists in the comedy.
Making Mrs. Maisel Look Marvelous
If you’ve got a winning recipe then you don’t change ingredients. Amazon’s second season of The Marvelous Mrs. Maisel wisely kept faith with the talent in front and behind the camera which made the period comedy drama an Emmy®-winning smash.
The Millennium DXL and Mixed Lens Formats Underscore The Hate U Give
First a short story, then a debut novel aimed at young adults, and now a feature film, The Hate U Give sprang from the experiences of Angie Thomas. The narrative incorporates incidents of young African-Americans and law enforcement, many of which are unfair and some even fatal. The novel debuted at number one on The New York Times best-seller list in February 2017, and the film premiered at the Toronto International Film Fest less than a year and a half later.
Darren Lew Blends Anamorphic with the DXL for Maniac
Maniac is a new Netflix miniseries based on a Norwegian dark-comedy about mental illness and pharmaceutical remedies. The project was directed by Emmy®-winner Cary Joji Fukunaga and stars Oscar®-winner Emma Stone and Oscar®-nominee Jonah Hill.
Multi-camera Television Cinematographers on the Magic of their Craft
Over the last year, the industry has seen a jump in multi-camera production with more than 15 pilots ordered in 2018. The format, which gained early popularity with shows such as I Love Lucy, has remained a constant on the TV landscape but has reemerged with a more cinematic style in recent years. Tasked with creating a richer look to appeal to today’s viewers, but still facing the traditional challenges of shooting multiple camera angles and in front of a live audience, today’s shooters are adept at using advancements in technology and technique to serve their vision.
Chayse Irvin, CSC Fills his Arsenal with Panavision Tools for BlacKkKlansman
In 1978 in Colorado, undercover police officer Ron Stallworth successfully infiltrated the resurgent Ku Klux Klan. Unbeknownst to the KKK and Grand Wizard David Duke, Stallworth was the only African-American cop on the Colorado Springs force. This true story was ideal material for director Spike Lee, who turned it into BlacKkKlansman, starring John David Washington, Adam Driver and Topher Grace.
